The Sadowsky Outboard Bass Preamp/DI Pedal contains the same famous circuitry built into every Sadowsky bass. Housed in a small footpedal box for use on the floor, it measures just 4.5" x 4.5" x 2.25" and weighs 1.5 pounds. Just plug your bass into the box and then go from the box to your amp, and/or direct to the board. Controls consist of volume, treble boost and bass boost. The Preamp/DI Pedal is perfect for vintage basses where installation of an onboard preamp would affect the instrument's original condition and resale value. The Preamp/DI pedal is recommended for all passive basses, basses with active pickups, and instruments that have active electronics that can be bypassed. It also works great with all upright bass pickups. Features: Independent Bass and Treble Boost Active/Passive Footswitch w/ LED Mute Switch w/ Tuner Out 1/4" Out XLR Out w/ Ground Lift Switch Low Battery Indicator LED Easy-Access Battery Compartment Optional AC Adapter Great for Upright Basses! $239 In stock. FREE SHIPPING!

Electro Harmonix Bass Balls Nano. Sleek, small and funky, the exact twin of the legendary Bassballs. Same controls, same sound but now in a pocket size, die-cast case. The twin-tuned filters sweep your instrument's signal giving a unique vocal tone. Use the mild distortion switch to add throatiness. Great on bass and guitar. Qualifies for FREE SHIPPING after $99 purchase

Chorus pedal designed with the bass player in mind. A split-frequency chorus capable of applying warm, rich chorus to higher frequencies without muddying the lows. A space synthesis effect guarantees a natural and spacious chorus effect.

Under the hood of the Bp200 is the powerful AudioDNA DSP processor, providing 16 bass amp & stompbox models and 22 more effects for creating your signature sound. The built in expression pedal can be assigned to control your choice of parameters in real time. It comes with 40 great Factory/40 User Presets and a built in chromatic tuner. The rear panel features a single 1/4" input, a 1/4" TRS stereo output, 1/8” stereo headphone output and a 1/8” stereo Jam-A-Long input. In stock. $149 includes free shipping

The BP80 is a revolutionary amp modeling multi-effects processor for the performing bassist. Powered by Digitech’s awesome AudioDNA DSP processor, features 16 bass amp and stompbox models and a host of other effects; and the built in expression pedal can be assigned to control your choice of parameters in real time. It is designed with an intelligent, easy to use editing interface. The drum machine is a great tool for polishing up your timing with your choice of different patterns, tempo, and adjustable volume level; and the chromatic tuner lets you quickly check or tune your instrument with a 13 LED array for spot on accuracy. In stock. $99.95

Digitech built the BP50 with amp and cabinet modeling plus an arsenal of studio quality effects. They even included a drum machine and an easy to use tuner. Effects include Compression, Fretless Simulator, EQ, Noise Gate, Chorus, Octavider, Delay, Reverb, plus Wah, and Whammy via optional expression pedal. Other features include a chromatic tuner and 40 User/40 Factory presets In stock. $79.95

The Rust Ride Overdrive Pedal is HAO's first and only bass driver unit. Rust Ride was born to give bass players a blistering overdrive without losing low-end and note clarity. With a preset 3-position EQ switch (Normal, Bright, Warm), the Rust Ride bass stompbox offers a lot of tonal options. Also, Passive and Active inputs allow you to operate the Rust Ride bass overdrive with any type of bass pickups while individual Direct and Effect outputs allow a routing of clean bass tone to a tuner P.A., or a second amplifier for blending dry and effect signals. Using Rust Ride with a guitar reveals the whole new dimension of the pedal with tight low-end and high-octane overdrive/distortion. Free shipping available!

Get a FREE 6" FENDER TONEMASTER PATCH CABLE with the purchase of a Chunk Agent Funk Envelope pedal! The Agent 00Funk Mark II (pronounced "agent double O funk mark two") turns bass guitars and other electric instruments into instant funky squelching fatness. The Agent 00Funk Mark II features a highly resonant lowpass filter that sweeps up or down with every note you play giving you a super-punchy automatic wah tone. Based on Chunk's highly acclaimed original Agent 00Funk, the Mark II squeezes extra funk into a more convenient, easier to use package. Now with true bypass and only the best quality analogue electronics, the Agent 00Funk Mark II is perfect for all you clean sound freaks. For maximum squelch, the new envelope input allows you to use a clean envelope prior to fuzz or distortion. Plug the Chunk Systems Brown Dog gated bass fuzz pedal straight in to create some truely amazing synth tones.

Get a FREE 6" FENDER TONEMASTER PATCH CABLE with the purchase of a Chunk Brown Dog Distortion pedal! The Brown Dog enables you to produce rampaging waves of meat with your bass guitar while still keeping your basslines tight and letting the character of your instrument's tone shine through. With two fuzz modes (hard and soft), a mixing stage and a unique gating circuit the Brown Dog gives you a wide range of fuzzy and synthy bass tones. Based on Chunk's highly acclaimed FZ002 gated bass fuzz, the Brown Dog adds soft mode and features easier to use mixer controls. With true bypass and only the best quality analogue electronics, the Brown Dog is perfect for all you clean sound freaks. Use the special envelope connector in conjunction with the Agent 00Funk Mark II for synth bass that will really freak you out! Free Freight!

NEWEST VERSION AND BACK IN STOCK! The Model 2010 Pre-Amp is a stomp box style pre-amp with great sounding EQ and plenty of gain. Designed from the ground up by bassist Mike Pope, the Model 2010 was conceived in real world environments instead of a laboratory. This means that when you turn the controls, you get what you need to make your bass (or guitar) sound great when it really counts. FREE FREIGHT!

Snarling Dogs Unleashes Bootzilla! Bootzilla is the signature bass wah pedal of the legendary bassist and ambassador for "Inner Planetary Funkmanship", Bootsy Collins. Get your funk on with this fuzz circuit enhanced bass wah/filter pedal. With low, mid and high settings you can reach all sorts of groove. This pedal maintains your bass’s low end yet still gives you wah and filtering effects even on your low “B” string. Use the adjustable pre-amp to boost your signal or give you some extra drive. Grab a Bootzilla, get fuzzy and keep it funky!

The EBS OctaBass analog octave divider creates a single note one octave below the pitch of the played note, adding a new dimension to your sound. Intelligent Tracking The incredibly fast tracking allows for rapid playing techniques. The pedal also recognizes two or three-note chords. Technical Specifications: Nominal Input Level -8 dBv Input Impedance 200 kohms Dry Bandwidth +0 / -2 dB 20 - 20k Hz Dry Level min / max -oo / 0 dB Octaver Bandwidth +0 / -3 dB 10 - 110 Hz Octaver Level Gain min / max -oo / 12 dB min Octaver Filter Slope 18 dB/oct. Low Pass Triggering Threshold -70 dBv @200 Hz Dimensions (L x W x H) 2.8 x 4.5 x 1.4” (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Regulated, 5 mA

With the EBS UniChorus you can choose between low noise studio quality Chorus, Flange and Pitch Modulation effects. Analog Processing The pedal is built with the best analog processing circuitry. This gives a smoother, warmer and fatter sounding chorus/flange effect, useful both for live and studio performances. Technical Specifications: Nominal Input Level - 8 Input Impedance 1 Mohms (stereo), 500 kohms (mono) Output Impedance 100 ohms Bypass Bandwidth True Bypass Modulation Amplitude or Low Pass Filter Modulation Range max +6dB - -40dB (amplitude) max 250 Hz - 10kHz (filter) LFO Range 0.2 - 15 Hz LFO Type Sine/Square/Sawtooth Dimensions (L x W x H) 2.8 x 4.5 x 1.4” (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Stabilized, 20 mA

The EBS MultiComp is a high performance, analog compressor pedal, with a choice between solid state, tube simulation and multi-band compression. Make Your Sound Even Better The MultiComp can make a good sounding instrument sound even better. Once you’ve tried it, you’ll never want to play without it! Technical Specifications: Nominal Input Level - 8 or - 20 dBv (active/passive) Input Impedance 200 kohms Bypass Bandwidth +0 / -2 dB 20 - 20k Hz Gain range 0 - 15 dB min. Compressor Ratio min / max 1:1 - 5:1 Threshold -25 - +6 dB adjustable inside Attack Time (80%) <10 ms Release Time (80%) typ. 100 ms Dimensions (L x W x H) 2.8 x 4.5 x 1.4” (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Regulated, 10 mA

EBS Bass IQ Analog Envelope Filter Pedal EBS BassIQ Triple Envelope Filter Pedal Specifications: Nominal Input Level: -8dBv Input Impedance: 200kohms Bypass bandwidth (+0/-2dB): 20-20kHz Filter Range: 30-6kHz Filter Q (min/max): 3/10 Filter Mode: Down/Up/Up-HiQ Threshold: -50-+6dBv Attack Time (80%): 50ms-2s Dimensions 2.8"W x 4.5"H x 1.4"D 1 lbs. Power requirements: 9V DC regulated, 10 mA EBS BassIQ Triple Envelope Filter Pedal Features: Analog envelope filter pedal 3 modes: Hi-Q, Up, and Down Reacts to playing touch Threshold and Attack knobs Preserves entire frequency range of signal Noiseless switching Rugged construction Ships Free!

The EBS MultiDrive is a ”Class A” overdrive pedal, capable of producing sustain, overdrive and many other useful ”tube amp” distortion sounds. Spice up your sound! The mode switch selects classic, vintage or modern overdrive type sounds. This is the pedal to spice up your sustain! Technical Specifications: Nominal Input Level - 8 or - 20 dBv (active/passive) Input Impedance 200 kohms Bypass Bandwidth +0 / -2 dB 20 - 20k Hz Effect Bandwidth +0 / -3 dB 35 - 12 kHz Drive gain range 0 - 60 dB min. Modes Standard, Flat, Tubesim Dimensions (L x W x H) 2.8 x 4.5 x 1.4” (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Regulated, 15 mA max.

With the EBS DynaVerb, your choice ranges from eight different true stereo digital reverb effects, from Rooms, to Plates, to Halls. Outstanding Performance The pedal uses 24-bit digital processing circuitry for outstanding performance on stage and in the recording studio. Technical Specifications: Nominal Input Level - 8 dBv Input Impedance 200 kohms stereo 100 kohms mono Dry Bandwidth +0 / -2 dB 20 - 20k Hz Reverb Bandwidth +0/-3 dB 20 - 20k Hz Tone Low Pass Filter min / max 1 / 20 kHz Reverb Types 3 Rooms, 3 Plates and 2 Halls Sampling Frequency 48 kHz Dynamic Range typ 107 dB A-weighted Dimensions (L x W x H) 2.8 x 4.5 x 1.4” (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Regulated, 85 mA max.

EBS ValveDrive offers the possibility for classic and traditional warm tube sounds up to hard and pure tube distortion. Sing or Scream! The EBS ValveDrive tube preamp/overdrive pedal can make your bass either glow or growl, whether you want your instrument to sing or scream. The EBS ValveDrive delivers everything, from classic tube warmth to hard and pure tube distortion. The design in steel, chrome and Bakelite is based on a classic concept with an easy dial-in design. FEATURES: Use as preamp or overdrive pedal Vintage or modern tube sound All musical high-grade tube design Classic style passive filters ”Class A” tube overdrive pedal Designed exclusively for best bass response True bypass 12V Power Supply included Technical Specifications: True Bypass Nominal Input Level - 8 or - 16 dBv (active/passive) Input Impedance 1 Mohms Frequency Response +0 / -3 dB 35 - 20k Hz Gain Range -oo/+26 dB Bass Filter Range 15 dB < 80 Hz Middle Filter Range 12 dB @ 400 Hz Treble Filter Range 6 dB @ 5 kHz Output Impedance > 500 kohms Dimensions (L x W x H) 6.5” x 5.3” x 3.0” (165 x 135 x 75 mm) Weight 1.0 kg (2.2 lbs.) Power Requirements 12 V AC, 500 mA (power supply included)

The EBS WahOne is the only versatile wah-wah pedal designed specifically to enhance your bass groove. This unique pedal is based on the classic concept, created by die cast chrome. With an easy dial-in design the choice is yours - use it as a wah-wah, envelope filter or volume pedal. FEATURES: Wah-wah and Volume pedal in one Select wah-wah or envelope filter character Equipped with awarded ”tubesim” circuitry Extremely wide frequency range Possible reversed pedal action Technical Specifications: Nominal Input Level - 8 dBv Input Impedance 10 Mohms (Ch A), 1 Mohms (Ch B) Output Impedance 10 kohms Frequency Response +0 / -3 dB 20 - 20k Hz Tone Controls Bass +/- 15 dB @ 100 Hz Treble +/- 15 dB @ 10 kHz shelving Bright + 12 dB @ 10 kHz,15dB gain Midrange +/- 12 dB, 50 –2.000 Hz ,Q=0.80 Edge +/- 12 dB @ 7 kHz Boost Control Gain 0 – 30 dB Drive Control Gain 0 – 35 dB Dynamic Range typ 107 dB A-weighted Dimensions (L x W x H) 4.3” x 6.0” x 2.3” (110 x 153 x 58 mm) Weight 875g (1.95 lb.) Power Requirements 9 V DC Regulated, 10 mA

The EBS TremoLo is the latest contribution to the famous Black Label Pedals series. It gives you the choice of vintage type tremolo or sweeping filter effects. Choices The sweep character can be set to choice of three different waveforms; sine, square and sawtooth waveforms. Mono or Stereo The EBS TremoLo pedal operates in mono or true stereo with auto panning of the tremolo effect and use true bypass technique Technical Specifications: Nominal Input Level - 8 Input Impedance 1 Mohms (stereo), 500 kohms (mono) Output Impedance 100 ohms Bypass Bandwidth True Bypass Modulation Amplitude or Low Pass Filter Modulation Range max +6dB - -40dB (amplitude) max 250 Hz - 10kHz (filter) LFO Range 0.2 - 15 Hz LFO Type Sine/Square/Sawtooth Dimensions (L x W x H) 2.8 x 4.5 x 1.4” (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Stabilized, 20 mA

This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage. To give this tone shaping unit the ultimate flexibility we are introducing our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the "stomp" of a button. You can now go from modern slap sounds to vintage or overdriven. 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing style. Separate "Gain" and "Master" controls allow you to dial in just the right gain structure for any instrument. The Tone Hammer is the essential preamp/direct box for every bassist's tool box. Features: Pre/Post DI Unbalanced output can drive a power amp AGS circuitry Cut and boost of treble, mid and bass frequencies Fully sweepable midrange frequencies Powered by two nine volt batteries, phantom power or optional universal power supply Ground lift switch Heavy Duty steel construction Specs: Inputs: One 1/4" jack Outputs: One 1/4" jack, One XLR (nominal output - 14 dBu balanced) EQ: Bass +/- 18 dB @ 40 Hz Mid +/- 17 dB @ 180 Hz to 1 kHz Treble +/- 18 dB @ 4 kHz Controls: Ground lift switch Pre/Post DI switch Engage switch AGS switch Warranty: Three year limited Optional: 18 volt power supply FREE SHIPPING!

Get a FREE 6" FENDER TONEMASTER PATCH CABLE with the purchase of a Chunk Octavius Squeezer for a limited time! Octavius Squeezer is the only analog bass pedal you need. Designed specifically for bass guitar, Octavius Squeezer has true analog reconfigurable signal path technology, true bypass switching and a comprehensive array of analog synth, octaver, fuzz, envelope filter and other effects driven by a convenient digital preset system. With all this plus tuner and metronome in a size that fits in your gig bag, this is one pedal you simply can't afford to be without! Octavius Squeezer includes a dedicated filter circuit bred in our Agent 00Funk and Agent 00Funk Mark II envelope filters. It also includes the fuzz circuit from our Brown Dog gated bass fuzz. A digital pitch tracking stage tracks the notes you play right down to the bottom of your instrument's range and drives an analog synthesizer which can produce various waveforms at either the same pitch as your input, one octave down, one octave up or two octaves up. All of this can be patched, mixed and configured in a variety of ways to give an enormous array of available effects. Use the effect control to switch between the 50 user-editable presets that can be stored in the Octavius Squeezer's onboard memory. Adjust any of the presets on-the-fly with a twist of the param knob. See the current effect and parameter settings clearly displayed on Octavius Squeezer's backlit LCD. Use the two user-assignable footswitches to bypass, tap tempo and switch effects on the fly. Save and load additional presets to SD card (like the one in your digital camera) using the onboard card reader, and use it to upgrade Octavius's firmware as new versions become available. Free Freight!

Designed as a bass command center. The Radial Tonebone Bassbone is a smart EQ/DI pedal that manages your bass signal with 2 separate channels and a powerful EQ that overrides the preamp's tone settings. The Tonebone allows switching between a traditional passive bass and a modern active bass during a gig without lengthy and awkward adjustments to the preamp, EQ, amp, and instrument level. This EQ and DI Box can also be used with a single bass to provide 2 separate signals finessed by its incredible enhancement capabilities. The integrated boost, variable gain, and effects loop can be used individually or together. A balanced XLR out sends the complete signal direct to the board for PA-only gigs and studio time. Added heft and punch to your tone is like a secret weapon. The Radial Tonebone Bassbone is powered by a 15VDC power supply. Radial Tonebone Bassbone Features: * 2 channels for easy bass switching or signal enhancement * Powerful 3-band EQ * Boost and gain controls * Effects loop * 2 - 1/4" ins * Balanced XLR out * 1/4" out to amp * 1/4" TRS jack for FX loop * 1/4" tuner jack * Powered by 15VDC power supply

The Big John Granny Puker will give you a dirty octave (down) sound & weird distortion effects. Functions are: volume control, mixer control (mix-in the amount of octave down), Puke control (adjusts the amount of distortion). You can use the Granny Puker as a distortion box: turn the mixer knob to the minimum (good for chords). You can use the Granny Puker as a dirty octaver: turn the mixer knob to the maximum (good for melodies). This stompbox is designed for guitar as well as for bass guitar. Free Shipping

Parallel compression, a Barber innovation that blows away having to deal with attack, ratio and release knobs of other so-called "studio compressors." Barber developed a one-of-a-kind and quite proprietary continuous “blend control” circuit and combined it with a discrete “Class A” FET mixer circuit to allow you to continuously blend the natural signal of your carefully selected guitar with a “phase-corrected” classic compression circuit. The result? What guitar players have always wanted - unaltered attack and supernatural sustain and resonance, no studio engineering degree required. • Precision components- Panasonic capacitors and metal film resistors for low noise. •True bypass switching with led indicator- this is achieved by using an high grade switch, in addendum Solid 20 gauge copper hookup wire is used between the jacks and switching to create a transparent bypass. • Full size pots- for durability and for easy serviceability if needed. • Cast aluminum enclosure-our incredibly durable enclosure will last decades if not centuries! • Double sided pc board with plate through holes-This is the way the military does it when they want electronics to work FOREVER! all pedals should be made this way , few are. FREE SHIPPING ! ! !

Bass Players rejoice! The Linden E.Q. brings those golden tones of yesteryear to your modern bass rig, the Linden E.Q. captures the sweetest and most recorded bass E.Q. circuit in a simple foot operated box. The Barber Linden is a ultra high headroom device that employs a sophisticated power scheme to draw 25 working DC volts from a standard 9 volt supply or battery, resulting in far superior headroom over a standard 9 volt powered pedal. The E.Q. circuit is derived from the great flip top amps that were manufactured in Linden New Jersey, our new pedal pays homage to these great portable bass amps and their excellent eq. The Linden's eq is a perfect balance tight and powerful low band with a selectable high band that is somehow "charmingly aggressive" without any abrasive shards that could offend...Improve your bass rig today with a Barber Linden E.Q. FREE SHIPPING ! ! !

Stanley Clarke, is one of the worlds most iconic and innovative bass players. Now he is putting his name on an EBS product. Being one of the most demanding players, with a distinctive tone and a clear idea of how it should sound, we all knew what to expect. A unique pedal design that satisfies his exacting standards with the most delicious wah wah effects imaginable. This unique pedal design evolved through collaborative effort with luthier Thomas Lieber of the Spellbinder Corp. USA and musician Stanley Clarke, and is the first product ever that Stanley puts his name on. Also the first ever EBS product we let an artist put his name on. Enjoy! * Flexible footswitch for Wah-wah/Bypass or Wah-Wah/Volume control * Extended frequency range * Low-Pass, High-Pass, Band-Pass and Boosted Band-Pass modes * Variable band width * True bypass Now Available ! ! ! Free Freight ! ! !

The EBS MetalDrive is the eighth pedal in the EBS Black Label series. The idea behind the pedal was born after modifying a MultiDrive pedal for bass player John Moyer of Disturbed, who needed a pedal for bass that delivered not only overdrive but pure metal distortion that could match Disturbeds famed heavy guitar riffs. So, EBS techs took on the commission to create the meanest and heaviest distortion pedal ever made for bass, and came up with the EBS MetalDrive! NOW IN STOCK !

BACK IN STOCK! Every bass player wants deep organic tone. The Octamizer™ is the innovative analog octave pedal from Aguilar. Designed to create a wide range of musical sounds an octave below your original note, you will be " octamized" ! The Octamizer™ features independent volume controls for both the "Clean" and "Octave" sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The "Clean Tone" control uses a Full Spectrum Tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone. The Octamizer's "Octave Filter" control is a multipole low-pass Filter that lets you shape the octave sound from smooth and deep to edgy and aggressive. Features: Proprietary detector circuit for superior tracking Dual Filter Architecture Full Spectrum Tilt EQ for Clean sound Continuously variable multipole low-pass Filter for Octave sound Gig-saver bypass (signal passes even if your battery dies) Powered by one nine volt battery or optional universal power supply Heavy Duty steel construction Specs: Inputs: One 1/4" jack Outputs: One 1/4" jack EQ: Full Spectrum Tilt EQ for Clean sound Continuously variable multipole low-pass Filter for Octave sound Controls: Engage switch

Featuring the New Smith 18v B.M.T. 3-Band EQ System is powered either by 9v batteries or adapter. The Pre-Amp includes our internal DIP system to set each Band, Bass, Midrange or Treble so that you can tailor it to boost and cut at the desired frequency for your own sound. The Smith P.A.P.A. also works Active or Passive using the By-Pass Foot Switch. There are also separate Volume Controls for the Pre-Amp and Practice Amp as well. FREE FREIGHT!

Now in stock! ! ! Dirty Boy Bass Bully: Dirty Boy pedals are designed and built by Alex Saraceno, Blues Saraceno's father. Here is a word from Alex: "Ok all you Bass Players, I haven't forgotten about you. There seems to be a hole in the marketplace for effects for the bass players, just like at one time there wasn't much available for left hand players. Hence I created the 'Bass Bully.' " "What began this whole madness was when we noticed in one of the top studios in Los Angeles a Bass rig they had installed in a Lunch Box. After some inquiry, it turned out to be an old German Bass circuitry that they used for both Direct Recording and Boost and Fuzz. I traced the origin of that bass and formulated a way to put it into a pedal without changing the circuitry. So it is a global system which means that your bass instrument both Volume and Tone need to be turned all the way up, then you control Volume and Tone only from the pedal [PG note: the pedal's volume control functions at all times, even when pedal is bypassed]. And yes you may hear a little scratching in the pots but it is irrelevant since you don't usually change the amount of fuzz while you are playing. That is true to the original design and identical transistors create that unbelievable fuzz sound." "To begin with, it has an EQ circuit built in the pedal which I feel is superior to the circuit included in most basic basses. Most basic basses have a capacitor to ground for tone control. This EQ is based on a blend of capacitance, and that alone is worth the cost of admission." "The first position on the pedal is a Boost Feature. It does just that, boosts your signal and somehow adds a GLOW to your sound. This circuit is based on an INDUCTOR circuit like the wah pedals have. It is very cool. ( also worth the cost of admission )" "The 2nd position on the pedal is a simple Fuzz. It is incredibly smooth and actually amazing since most of you know how difficult is is to fuzz a bass signal. Bass players have been forced to use guitar pedals up to now until the "BASS BULLY" arrived" "3rd position is like using 2 pedals in one. One is the Bass Boost, the other the Bass Fuzz. They are wired in series so the signal will go through the boost before getting to the fuzz so you can blend the two. Why you ask add a boost and a fuzz, well if you want that totally over the top, Farty 60's Sly and the Family Stone sound, there it is... You will have tons of fun with this pedal and it is beyond belief in the studio." "Dirty Boy pedals are being used by many high profile guitar players. I chose not to list their names since I did not seek their endorsement nor did I discount the pedals. And, I value their privacy. I am hoping you will take my word for it." "These are true Bypass and have an insert for a 9-volt wall wart and have an LED as well for instant recognition."

Make your bass cut through any mix! The Steel Leather from electro-harmonix gives your bass a sound that will punch through any mix. It enhances your picking and plucking of notes on the bass guitar, giving the notes a sharp attack that will easily cut through. Use the two knobs to adjust the amount of effect from subtle attack to a total emphasis of the attack. The louder you play, the more Steel Leather expands and emphasizes the attack. But on quiet notes, there may be no expansion at all. This means you can use Steel Leather to sharpen attacks simply by playing louder. electro-harmonix Steel Leather Features: •Expander that operates over a narrow frequency range •Increases attack •Provides more dynamic playing Qualifies for FREE SHIPPING after $99 combined purchase.

The Electro-Harmonix Mole Bass Booster Pedal helps bassists and guitarists unearth a positively subterranean sound. Based on the classic design, this updated Electro-Harmonix pedal adds the same rich, low-end bottom while adding a 20dB boost to your signal. Whether you step on the Mole to get deep, ground-shaking drive or dial back the knob to add some texture to your existing tone, the Electro-Harmonix Mole Bass Booster digs wherever you tell it to. Electro-Harmonix The Mole Bass Booster Effects Pedal Features: True Bypass Up to 20dB of LOW frequency gain to any amp Center frequency of 400 Hz to 200 Hz at maximum volume Tough and compact die-cast chassis 9-volt battery included 96DC-200BI power supply Free Shipping!

The Electro-Harmonix Bass Big Muff Pi is a distortion pedal that gives bass players that great distortion that the Big Muff is known for with no loss of low end. The Bass Big Muff Pi Pedal features controls for volume, tone, sustain, dual outputs (effect and dry for recording), and a mini switch for bass boost. The Electro-Harmonix Bass Big Muff Pi Distortion Pedal is powered by a single 9 volt battery or optional AC power supply (sold separately). Electro-Harmonix XO Bass Big Muff Pi Distortion Effects Pedal Features: On/Off switch Controls for Volume, Tone, and Sustain Dual outputs Mini Switch for Bass Boost Rugged metal chassis Runs on 9 volt battery or optional AC Adapter (sold separately).

The Electro-Hamonix Bass Blogger's ultra-subtle distortion creates the perfect dialog with your drummer. Dial in your ideal fuzz with the effect pedal's no-fuss, three-knob design and fuzz/drive selector switch. Dry/effect outputs. Electro-Harmonix XO Bass Blogger Distortion Effects Pedal Features: Volume, tone, drive controls Fuzz/drive toggle Dry out Effect out Free Shipping!

The Electro-Harmonix Enigma Qballs effects pedal is a powerful and precise envelope filter fine-tuned for bass frequency response. Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Enigma Qballs will deliver tight and smooth control over the complete 40 Hz to 3 kHz range, with a consistent and even sweetness. Envelope controlled filters are a unique type of sound modifier where the intensity of the effect is controlled by the user's playing dynamics. The volume and dynamic of the incoming audio signal is used to control a swept filter. As the volume increases or decreases so does the frequency of the filter. With 3 selectable filter modes, along with START, STOP, ATTACK, DECAY, Q and SENSITIVITY controls, Electro-Harmonix gives you many classic and modern Q sounds to play with to dial in vivid textures like never before. An analog distortion circuit was created specifically for the Enigma Qballs, and adds a dynamic edge to the filter's sound. Need some edge? Engage Enigma's analog distortion and dial in anything from subtle bite to dominating crush. You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, Enigma Qballs bass pedal becomes one of the most versatile wahs available. Electro-Harmonix Enigma Qballs Envelop Filter Bass Effects Pedal Features: Blend control Mode control Attack control Decay control Start control Stop control Sensitivity control Distortion footswitch/status LED Expression pedal input Bypass footswitch/status LED Input jack Effect out jack Direct out jack FREE SHIPPING!

The Bass Micro Synthesizer XO adds the great sounds of the early Moog synthesizers to your bass arsenal. The pedal features 10 slider controls for ultimate control with 4 independent mixable voices (bass, octave, sub-octave, and square wave or distortion), the Bass Micro Synthesizer Pedal lets you create those fat, vintage analog synth sounds. Electro-Harmonix Bass MicroSynth Effects Pedal Features: Controls: Rig Sub Octave Guitar Octave Square Wave Attack Delay Resonance Start Frequency Stop Frequency Rate FREE SHIPPING ! ! !

Now in stock! ! ! The Bass Bully Green gives you extra gain over the Bass Bully Yellow. (Photo to follow) Dirty Boy Bass Bully: Dirty Boy pedals are designed and built by Alex Saraceno, Blues Saraceno's father. Here is a word from Alex: "Ok all you Bass Players, I haven't forgotten about you. There seems to be a hole in the marketplace for effects for the bass players, just like at one time there wasn't much available for left hand players. Hence I created the 'Bass Bully.' " "What began this whole madness was when we noticed in one of the top studios in Los Angeles a Bass rig they had installed in a Lunch Box. After some inquiry, it turned out to be an old German Bass circuitry that they used for both Direct Recording and Boost and Fuzz. I traced the origin of that bass and formulated a way to put it into a pedal without changing the circuitry. So it is a global system which means that your bass instrument both Volume and Tone need to be turned all the way up, then you control Volume and Tone only from the pedal [PG note: the pedal's volume control functions at all times, even when pedal is bypassed]. And yes you may hear a little scratching in the pots but it is irrelevant since you don't usually change the amount of fuzz while you are playing. That is true to the original design and identical transistors create that unbelievable fuzz sound." "To begin with, it has an EQ circuit built in the pedal which I feel is superior to the circuit included in most basic basses. Most basic basses have a capacitor to ground for tone control. This EQ is based on a blend of capacitance, and that alone is worth the cost of admission." "The first position on the pedal is a Boost Feature. It does just that, boosts your signal and somehow adds a GLOW to your sound. This circuit is based on an INDUCTOR circuit like the wah pedals have. It is very cool. ( also worth the cost of admission )" "The 2nd position on the pedal is a simple Fuzz. It is incredibly smooth and actually amazing since most of you know how difficult is is to fuzz a bass signal. Bass players have been forced to use guitar pedals up to now until the "BASS BULLY" arrived" "3rd position is like using 2 pedals in one. One is the Bass Boost, the other the Bass Fuzz. They are wired in series so the signal will go through the boost before getting to the fuzz so you can blend the two. Why you ask add a boost and a fuzz, well if you want that totally over the top, Farty 60's Sly and the Family Stone sound, there it is... You will have tons of fun with this pedal and it is beyond belief in the studio." "Dirty Boy pedals are being used by many high profile guitar players. I chose not to list their names since I did not seek their endorsement nor did I discount the pedals. And, I value their privacy. I am hoping you will take my word for it." "These are true Bypass and have an insert for a 9-volt wall wart and have an LED as well for instant recognition."

NOW IN STOCK! The TLC Compressor™ is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables us to achieve unprecedented levels of performance in a small package. The TLC Compressor™ features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you’ll be able to dial in just the right sound. Aguilar’s TLC Compressor™ gives you a range of control usually found only in expensive studio compressors. Features Threshold control: variable from -30 to -10 dBu Slope control: variable from 2:1 to infinity Attack control: variable from 10ms to 100ms Level control: -infinity to -3dBu Low Distortion: (<0.2 %) Gig-saver bypass (signal passes even if your battery dies) Power: Nine-volt battery or optional universal power supply Heavy Duty steel construction Battery life >100 hours Inputs: One 1/4" jack Outputs: One 1/4" jack Controls: Engage switch FREE SHIPPING!

The EBS DPhaser offers three very distinct and different phaser effects. Select everything from classical 70’s sounds up to hyper modern swarling phasing effects. From the 70's to the 21st Century! The DPhaser offers three different modes of cool phaser effects. 'Short' is the classic phaser effects recognized from the 70's, 'Long' emphasize the effects a bit more, while 'Wide' gives you extrem swarling flanger-like effects. Hi, Lo and Off decides the resonance of the effect while the two controls change the width and rate. In addition you can set a lot of parameters inside the box for fine tuning your sound. Digital Technique - Analog Sound The pedal is built with highest quality components and uses 24-bit digital processing circuitry for outstanding performance on stage and in the recording studio. While the pedal offer juicy analog sound, the use of digital technique makes it possible to fit in the same compact format that the Black Label Pedals are knowned and praised for. Technical Specifications Nominal Input Level - 8 dBv Input Impedance 700 kohms Bypass Bandwidth +0 / -3 dB 20 - 20k Hz Phaser Types Short (S) 4 or 6 stages Long (L) 8 or 10 stages Wide (W) 18 stages differential LFO Range min / max 0.05-10 Hz LFO Types Sine and Triangle Low frequency bypass Optional < 130 Hz Sampling Frequency 48 kHz Dynamic Range Typ 100 db A-weighted Dimensions (WxHxD) 70 x 115 x 35 mm / 2.8 x 4.5 x 1.4" Weight 480g (1.07 lb.) Bypass True Bypass Power Requirements 9 V DC Regulated, 110 mA max

Soundblox Pro Multiwave Bass Distortion Features & Specifications Diverse Sound Palette — Featuring 23 varieties of our unique distortion algorithms with an added CLEAN BOOST + EQ mode. Multiband Processing — Signal is split into multiple bands and distorted individually for unprecedented sound clarity. State-of-the-art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters. 6 User Presets — Easy to configure user presets in two banks selectable via 3 footswitches for quick access of your favorite sounds. 7-Band Equalizer — Ultra-precise 7-band equalizer for in-depth tone control saved per preset. Extended Control — An expression input allows morphing of sounds between preset banks. A MIDI input allows external access to presets and parameters. Motion Control — All Soundblox and Soundblox Pro pedals are ‘Hot Hand Ready’ and can be used with any Hot Hand motion sensor to extend the capabilities of the unit. Active Analog Bypass — Bypass is fully routed around the DSP and active input ensures zero signal degradation. Dimensions: 7 in./17.8cm (length not including I/O jacks) x 6 in./15.25cm (width) x 2 in./5cm (height, including knobs).

Soundblox Multiwave Bass Distortion Features & Specifications Diverse sound palette — featuring 21 varieties of our distortion algorithm. Multiband processing — signal is split into multiple bands and distorted individually for unprecedented sound clarity. Modern design — A thoughtfully designed box which features rugged construction and sleek looks. State-of-the-art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters. Motion Control — all Soundblox pedals are ‘Hot Hand Ready’ and can be used with any Hot Hand motion sensor to extend the capabilities of the unit. Active Analog Bypass — bypass is fully routed around the DSP and active input ensures zero signal degradation. Dimensions: 7 in./17.8cm (length not including I/O jacks) x 4 in./10.2cm (width) x 2 in./5cm (height, including knobs).

The AGRO® is based on the saturation channel of Aguilar’s celebrated AG 500 bass head. Capable of producing everything from warm, tube-like overdrive to full on distortion, this pedal will give you the grind you need without sucking out your low end. The AGRO® offers a wealth of overdriven sounds within an easy to use, 4-knob layout. The Saturation control offers a tremendous range of distortion while the Contour control allows you to dial in a scooped or a more aggressive boosted midrange sound. The Presence knob adds the right amount of ‘attack’ ensuring that your bass remains defined even with the most saturated settings. The output level control guarantees that you’ll be able to get the distortion you want at any volume level. Features: Separate Saturation and output level controls Contour control: broad spectrum mid scoop centered around 900Hz Presence control: + 6dB/-20dB >4kHz Gig-saver bypass (signal passes even if your battery dies) Power: Nine-volt battery or optional universal power supply Heavy Duty steel construction Inputs: One 1/4" jack Outputs: One 1/4" jack Controls: Engage switch Warranty: Three year limited Optional: 9 volt power supply Now In Stock! Free Shipping!

Now In Stock! The "Filter Twin" uses two low pass filters, one with "down" attack, and one with an "up" attack. They can be blended for terrific vocal-like wah sounds or used separately for traditional funky sounds. Attack speed is fully adjustable for both up and down filters. Free Shipping ! ! !

The B-Drive delivers classic tones made popular by ’60s and ‘70s American tube amps in a compact and easy to use low-gain push-drive pedal from SWELL. Fundamentally transparent, smooth natural compression and with NO loss of low-end frequencies the B-Drive is also dead-quiet even with the output level control maxed out! The B-Drive cleans up by simply rolling back your volume knob and is also extremely responsive to the nuances of pick and finger style techniques. Select between Drive’s 1 & 2 for the just the right amount of gain and the NEW Boost remote jack (another SWELL 1st) gives you unparalleled control of your signal level with any simple latching on/off footswitch. From your home Studio to the stage cranked amp tone and feel at any volume level via Amp and/or Record outs. The B-Drive…for the Tone-ally driven.

The B-Max is an aggressive, modern voiced compact and easy to use high-gain push-drive pedal from SWELL. Fundamentally transparent, smooth natural compression and with NO loss of low-end frequencies the B-Max recreates the complex overtones found in classic tube amps. Focused lows in addition to a smooth top-end the Max muscles amps over the edge and into submission. Select between Drives 1 & 2 for the just the right amount of gain and the NEW Boost remote jack (another SWELL 1st) gives you unparalleled control of your signal level with any simple latching on/off footswitch. All of this while remaining dead-quiet even with the output level control maxed out! From your home studio to the stage, cranked amp tone and feel at any volume level via Amp and/or Record outs. Max your TONE with the B-Max!

The one and only Transparent OverDrive for Bass (B-TOD) is fast becoming the go to pedal for Artists …and for good reason. As with all SWELL drives the TOD has smooth natural compression, rich complex overtones and is fundamentally transparent with NO loss of low-end frequencies. Everything from a gentle purr to a grinding roar is footswitch selectable for both live and recording applications while remaining dead-quiet even with the output level control maxed out! The B-TOD’s real tube-driven tones are full, round and woody in addition to responding to both playing style and volume-knob tweaks like a classic tube amp. Select between Drives 1 & 2 for the just the right amount of gain and the NEW Boost remote jack (another SWELL 1st) gives you unparalleled control of your signal level with any simple latching on/off footswitch. From your home Studio to the stage cranked amp tone and feel at any volume level via Amp and/or Record outs. Groove on over to the B-TOD.

Power Supply Jack **AC ONLY** First Gain Stage Control No effect on DRIVE-2 Second Gain Stage Control No effect on DRIVE-1 Master Tone Control Passive tone shaping 3-Way Fat Switch •Fat (up) •Normal (middle) •Thick (down) 3-Way Output Select •Sweet (up) •Push (middle) •Low (down) B-Pro v.2 Mid-gain push-drive pedal for bass – $299.99 OverviewFeaturesMaterialsVTeXv.2VideosBuilder’s NotesThe B-Pro is the answer to requests from touring and session players alike for a SWELL drive pedal that blends both the B-Drive and B-TOD together into one mid-gain push-drive pedal. The Pro’s customized SWELL TONE CIRCUIT delivers big round lows, natural sounding mids and a smooth open top end. In addition the B-Pro doesn’t play favorites when it comes to pickups…single-coil or humbucker, passive and active – the PRO brings out the best in all of them. As with all SWELL drives the B-Pro has smooth natural compression, rich complex overtones and is fundamentally transparent with NO loss of low-end frequencies. Select between Drive’s 1 & 2 for the just the right amount of gain and the NEW Boost remote jack (another SWELL 1st) gives you unparalleled control of your signal level with any simple latching on/off footswitch. And yes–the Pro remains dead-quiet even with the output level control maxed out! From your home Studio to the stage cranked amp tone and feel at any volume level via Amp and/or Record outs. On stage and in the studio the B-Pro will inspire!

Power Supply Jack **AC ONLY** First Gain Stage Control No effect on DRIVE-2 Second Gain Stage Control No effect on DRIVE-1 Master Tone Control Passive tone shaping 3-Way Fat Switch •Fat (up) •Normal (middle) •Thick (down) 3-Way Output Select •Sweet (up) •Push (middle) •Low (down) B-Pro v.2 Mid-gain push-drive pedal for bass – $299.99 OverviewFeaturesMaterialsVTeXv.2VideosBuilder’s NotesThe B-Pro is the answer to requests from touring and session players alike for a SWELL drive pedal that blends both the B-Drive and B-TOD together into one mid-gain push-drive pedal. The Pro’s customized SWELL TONE CIRCUIT delivers big round lows, natural sounding mids and a smooth open top end. In addition the B-Pro doesn’t play favorites when it comes to pickups…single-coil or humbucker, passive and active – the PRO brings out the best in all of them. As with all SWELL drives the B-Pro has smooth natural compression, rich complex overtones and is fundamentally transparent with NO loss of low-end frequencies. Select between Drive’s 1 & 2 for the just the right amount of gain and the NEW Boost remote jack (another SWELL 1st) gives you unparalleled control of your signal level with any simple latching on/off footswitch. And yes–the Pro remains dead-quiet even with the output level control maxed out! From your home Studio to the stage cranked amp tone and feel at any volume level via Amp and/or Record outs. On stage and in the studio the B-Pro will inspire!

Swell Pedal Power Supply. 12 VAC Powers all Swell Pedals.

Heavy Electronics El Oso Bass Distortion Level, Mix, and Gain controls. Adjust the mix for light crisp signal breakup, to heavy over-the-top bass crunch. First 20 pedals will be signed and numbered. We currently have pedals #14 & 15 in stock. Get a FREE 6" FENDER TONEMASTER PATCH CABLE & FREE SHIPPING with every El Oso!

The BEF Pro builds on the wildly popular Soundblox Bass Envelope Filter with a wide array of features for the touring professional. With the BEF Pro each filter type can be modulated by four distinct sources: envelope, tap tempo enabled LFO, Hot Hand™, or an expression pedal wah. The BEF Pro also boasts an impressive set of tweak-able options including an adjustable 7-band graphic EQ, 6 save-able preset banks, 8 different LFO waveforms, adjustable positive and negative filter sweeps and a Wet/Dry Mix knob to the interface featuring Source Audio's signature Lo-Retain™ mixing algorithm. FREE SHIPPING!